Nathan Hobby reviews Time, Tide and History: Eleanor Dark’s Fiction, edited by Brigid Rooney and Fiona Morrison.
The submitted text, "Time, Tide and History: Eleanor Dark’s Fiction," authored by Nathan Hobby, functions as a critical review of an edited collection...
Tony Hughes-d’Aeth reviews Cosmological Readings of Contemporary Australian Literature: Unsettling the Anthrop by Kathrin Bartha-Mitchell....
Monique Rooney reviews Colonial Australian Women Poets: Political Voice and Feminist Tradition by Katie Hansford.
Jane Scerri reviews Women & Children by Tony Birch.
Jane Scerri's review of Tony Birch's work, *Women & Children*, presents an intriguing entry into contemporary literary criticism. The very inclusion o...
Chris Tiffin reviews TransPacific: Collected Poems of Ernest G. Moll, edited by Alan L. Contreras.
The publication of *TransPacific: Collected Poems of Ernest G. Moll*, meticulously edited by Alan L. Contreras, marks a significant event for literary...
This essay looks at what it really means for author Shankari Chandran to write "from the heart," blending personal stories, cultural roots,...
The essay "Writing from My Heart" by Shankari Chandran promises a deeply introspective and culturally rich exploration of the authorial process. Far f...
A new short story.
The submission presents a significant incongruity between its title and abstract, which immediately raises concerns about its suitability for a scient...
In this paper Associate Professor Nicholas Birns responds to Philip Mead's "Australian Literary Studies" in this issue.
Associate Professor Nicholas Birns' paper, "Steady Optimism," is presented as a direct response to Philip Mead's article, "Australian Literary Studies...
Philip Mead reviews Paul Eggert and Chris Vening, editors. The Letters of Charles Harpur and His Circle.
The novels of Goorie author Melissa Lucashenko are consistently read through the confluence between regions and gender. Lucashenko creates...
This article proposes a timely and significant re-evaluation of Melissa Lucashenko’s *Mullumbimby*, moving beyond established critical paradigms that...
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