Aulia Rahman

Reconnecting the wetlands through non-discrete architecture

Introduction

Reconnecting the wetlands through non-discrete architecture. Discover non-discrete architecture's role in reconnecting wetlands and the built environment in Banjarmasin. This design study promotes environmental awareness through innovative spatial design.

Abstract

This design study explores non-discrete architecture as a form of architecture that connects nature and the built environment. Architecture often separates itself and its users from the natural setting, leading to environmental neglect and the gradual loss ofthe natural environment. The idea of non-discrete architecture focuses on how the relationship between humans and nature can be reconstructed by creating spatial layers that can actively participate in living processes. This study focuses on the neglected wetland environment in Banjarmasin, South Kalimantan. The inquiry begins by documenting the various experiences of nature in the area, from the abundance presence of wilderness and the dynamic water reflections of the wetlands. The study explores how such experience is captured through spatial boundaries such as roof structures and floor gaps. This study develops a form of low-tech pavilion that reconsiders the boundaries and how it is situated amidst the wetland landscapes. The project aims to bring a connection between the inside and the outside and captures the landscape dynamics, creating an animated interior of the space. In doing so, it fosters awareness of environmental beauty and renews appreciation for the wetland architecture that has been neglected.

Review

This design study offers a compelling exploration into "non-discrete architecture," proposing it as a vital framework for mending the increasingly fractured relationship between the built environment and natural settings. The paper acutely identifies the problem of architectural separation leading to environmental neglect and loss, a pertinent issue in contemporary discourse. By focusing on the neglected wetland environment of Banjarmasin, South Kalimantan, the study roots its theoretical proposition in a specific, culturally rich, and ecologically sensitive context, giving its inquiry a strong sense of relevance and urgency. The methodology adopted by the study is particularly strong, beginning with a detailed documentation of "various experiences of nature" within the wetlands, from the raw wilderness to dynamic water reflections. This experiential grounding then informs the exploration of how architectural elements, such as roof structures and floor gaps, can transcend traditional boundaries to "capture" and integrate these natural phenomena. The resulting design of a "low-tech pavilion" serves as a practical manifestation of non-discrete principles, demonstrating a thoughtful reconsideration of spatial divisions. The emphasis on creating an "animated interior" that actively connects with and reflects the landscape dynamics is a sophisticated approach to fostering immersive human-nature interactions. Ultimately, this study makes a significant contribution to both architectural theory and ecological awareness. By developing a tangible architectural prototype, it moves beyond abstract concepts to offer a practical model for how design can actively participate in living processes and re-establish harmony with the environment. The project's explicit aims to foster awareness of environmental beauty and renew appreciation for neglected wetland architecture are highly commendable. It serves as an insightful example of how sensitive, context-specific design can become a powerful tool for environmental stewardship and cultural re-engagement, demonstrating architecture's potential to heal rather than sever our connection to nature.

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