Tasya Nidea Putri, Sri Rahayu

Novel Semiotics Analyst Yang Telah Lama Pergi by Tere Liye

Introduction

Novel semiotics analyst yang telah lama pergi by tere liye. Analisis semiotika novel 'Yang Telah Lama Pergi' oleh Tere Liye mengungkap makna mendalam melalui ikon, indeks, dan simbol. Pahami interaksi tanda dalam teks.

Abstract

The semiotic study in the novel Yang Have Long Gone by Tere Liye expresses signs in the text to form a more profound meaning through symbols, icons, and indices. This novel contains many symbols, icons, and indexes that create a system of interconnected signs through dialogue, descriptions, and events. Thus, semiotic studies understand how this novel's signs interact to create a more complex meaning. The problem formulation in this research is the semiotic elements of the icon, index, and symbol aspects in the novel Yang Lama Lagi by Tere Liye. This research aims to describe, analyze, and conclude the signs, which include the icon, index, and symbol aspects. This research's benefit is understanding and defining semiotic theory through icons, indices, and symbols in literary works. This research uses a qualitative approach with descriptive methods. The data collection technique used in this research is hermeneutics: reading, taking notes, and concluding. The results of this research show that in the novel Yang Has Long Gone by Tere Liye, some signs include aspects of icons, indexes, and symbols. There are 12 data for the icon aspect, 54 for the index aspect, and 34 for the symbol aspect. In this research, it can be concluded that the index aspect that is most often found in the novel Yang Has Long Gone by Tere Liye, this aspect is related to the causal and cause-effect relationships that arise in the cultural context of the characters in the novel Yang Has Long Gone by Tere Liye.

Review

This study undertakes a semiotic analysis of Tere Liye's novel, *Yang Telah Lama Pergi*, aiming to uncover profound meanings embedded within its text through the identification and interpretation of symbols, icons, and indices. The abstract outlines a qualitative, descriptive research approach, utilizing hermeneutic techniques of reading, note-taking, and concluding. The stated problem formulation focuses on identifying the semiotic elements of icon, index, and symbol within the novel, with the broader objective of understanding how these signs interact to create a complex web of meaning and to define semiotic theory through its application to literary works. The research meticulously details its findings, providing a quantitative breakdown of the identified semiotic elements: 12 instances of icons, a substantial 54 instances of indices, and 34 instances of symbols. A key conclusion drawn from this data is the prominent role of the index aspect, which the authors link to causal and cause-effect relationships arising within the cultural context depicted in the novel. This focus on indexical signs and their connection to narrative causality within a specific cultural framework offers a structured approach to textual analysis, moving beyond mere content summary to a more analytical understanding of the novel's construction of meaning. While the study provides a robust descriptive account of semiotic elements and their prevalence, the abstract suggests that the full paper could benefit from a more explicit theoretical discussion on *how* these identified signs coalesce to form "more profound" or "more complex" meanings, beyond simply cataloging them. The strength lies in its systematic application of semiotic theory to a popular Indonesian novel, offering a clear framework for understanding its internal logic and cultural resonances. However, to further enhance its impact, the research could delve deeper into the interpretive implications of the identified indexical relationships, perhaps exploring their ideological underpinnings or their role in shaping reader perception, thereby moving from description to a more critical engagement with the text's semiotic landscape.

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