ENTRE AS MARGENS E AS DÉCADAS
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Júlia de Brito, Tássia Tavares de Oliveira

ENTRE AS MARGENS E AS DÉCADAS

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Introduction

Entre as margens e as dÉcadas. Aprofunde-se na análise da HQ "O Essencial de Perigosas Sapatas" e a representação de personagens lésbicas. Explore a evolução dos quadrinhos, gênero e sexualidade.

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Abstract

As histórias em quadrinhos, que ganharam destaque no início do século XX, atingiram seu apogeu por volta de 1940, período conhecido como a Era de Ouro dos quadrinhos norte-americanos. O reconhecimento dos quadrinhos underground ocorreu com a publicação da revista Zap Comix, criada por Robert Crumb. O percurso histórico das HQs, portanto, esteve marcado por processos de marginalização, nos quais surgiram os primeiros coletivos femininos, além das narrativas gráficas que conquistaram relevância acadêmica e literária com obras que exploram temas fracturantes, relatos autobiográficos e processos de amadurecimento. Nesse contexto, este trabalho tem como objeto de análise a HQ O Essencial de Perigosas Sapatas (2021) e a finalidade de analisar a representação das personagens lésbicas Mo e Lois. A fundamentação teórica abrange os conceitos de narrativa gráfica (Eisner, 2005) e o percurso histórico das HQs (García, 2012). Quanto ao estudo temático, é centrado no continuum lésbico e existência lésbica (Rich, 2010) e quadrinhos lésbicos (Bauer, 2015). Através da leitura interpretativa, compreendemos a trajetória de evolução das personagens e destacamos suas singularidades enquanto mulheres lésbicas, em que alguns estereótipos se confirmam e outros são rompidos. Para tanto, as discussões realizadas podem contribuir para ampliar o debate sobre quadrinhos, gênero e sexualidade.


Review

The paper, "ENTRE AS MARGENS E AS DÉCADAS," proposes a timely and pertinent analysis of lesbian representation within graphic narratives, specifically focusing on *O Essencial de Perigosas Sapatas* (2021). By tracing the historical trajectory of comics from their Golden Age apex through their marginalization and eventual academic recognition—underscoring the emergence of female collectives and challenging themes—the abstract skillfully sets a broad contextual stage for its specific object of study. This framework promises to illuminate the complex relationship between comic art, identity, and societal perceptions, positioning the work as a valuable contribution to both comics studies and queer theory. The theoretical framework outlined for this analysis appears robust and interdisciplinary, drawing effectively from foundational scholarship in graphic narrative (Eisner) and comics history (García). Crucially, the integration of Adrienne Rich's concepts of lesbian continuum and lesbian existence, alongside scholarship on lesbian comics by Bauer, provides a strong critical lens for examining the portrayal of Mo and Lois. The proposed methodology of "leitura interpretativa" (interpretative reading) is appropriate for a qualitative analysis of character development and thematic content within a graphic novel. The stated objective to understand the characters' evolutionary trajectories and to identify how certain stereotypes are both confirmed and challenged suggests a nuanced and critical approach to representation. This work holds significant potential to deepen the academic discourse on gender and sexuality in comics, particularly concerning the portrayal of lesbian identities. To further strengthen the paper, while the abstract highlights the theoretical underpinning, a more explicit articulation of the specific analytical tools or frameworks derived from Rich and Bauer that will be applied during the interpretative reading could enhance methodological clarity. Overall, "ENTRE AS MARGENS E AS DÉCADAS" presents a compelling case study that promises to offer rich insights into the complexities of representation, marginalization, and the evolving role of graphic narratives as cultural artifacts.


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